Weekend Casual Discussion Thread

Discuss whatever you want about movies or any other topic. A new thread is created automatically every Friday at 3:00 PM EST.

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December is going to be a stellar month. However, could see some cannibalism here and there.
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‘Everything Everywhere All At Once’ Directors The Daniels Returning With Sci-Fi Action Comedy Targeting November 2027 Release, Will Be Filmed For IMAX
https://collider.com/the-daniels-new-sci-fi-action-movie-after-everything-everywhere-all-at-once-daniel-kwan-daniel-scheinert/

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‘Project Hail Mary’ $71M+ U.S. Opening Sets Amazon MGM Studios Record, Best YTD; ‘Hoppers’ in Second With $21M, ‘Dhurandhar: The Revenge’ Seeing $12.7M, ‘Ready or Not 2’ At $10M – Friday PM Update
https://deadline.com/2026/03/box-office-project-hail-mary-ready-or-not-2-1236761181/

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UNTITLED DISNEY ANIMATION project set for 6/15/29 and UNTITLED PIXAR dated 11/21/29.
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Disney / Pixar's Hoppers has passed the $100M domestic mark. The film grossed $2.99M on Thursday (from 4,000 locations). Total domestic gross stands at $102.39M.
https://bsky.app/profile/boxofficereport.bsky.social/post/3mhjfxi5ki22g

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Per Deadline, The budget for Ready Or Not 2 is “Less than $20M”
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Per WSJ, Paramount Skydance Hits Lowest Closing Price Since 2009 | The [Warner] deal has left the company navigating a massive debt load, which has triggered downgrades at multiple credit agencies.
https://www.wsj.com/livecoverage/stock-market-today-dow-sp-500-nasdaq-03-19-2026/card/paramount-skydance-hits-lowest-closing-price-since-2009-cgvVaJtge4wE4Pada13Q

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Looks like $20.5M FRI for #ProjectHailMary , giving it $33M opening day. WOM remains outstanding, close to A+. Weekend expected to be over/under $80M.
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'Project Hail Mary' gets an A on CinemaScore
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Ready Or Not 2: Here I Come gets a B+ CinemaScore. The same score as the first
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Beauty & The Beast live action remake remains the biggest March opening
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Amazon MGM Studios' Project Hail Mary grossed an estimated $33.12M domestically on Friday (from 4,007 locations), including previews.
https://bsky.app/profile/boxofficereport.bsky.social/post/3mhlasxwj7k2k

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‘Project Hail Mary’ $77.1M U.S. Opening Nears Record Stratosphere For Non-Franchise Pic; Reps Amazon MGM Studios High, Best YTD, A CinemaScore – Update
https://deadline.com/2026/03/box-office-project-hail-mary-ready-or-not-2-1236761181/

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Actresses at the Box Office: Catherine O'Hara

https://preview.redd.it/j3m3gzffcgqg1.png?width=1920&format=png&auto=webp&s=e543a696f88aa4c8980215b52c074f88dc4ee4dc

Here's a new edition of "Actresses at the Box Office", which seeks to explore the actiors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Catherine O'Hara's turn.

#Early Life

O'Hara started her comedy career in 1974 as a cast member of The Second City in her hometown, Toronto. She originally worked as an understudy and in the Sunday night cast of alternates which performed when the main company had the night off. She was an understudy for Gilda Radner until Radner left for Saturday Night Live. By 1976 O'Hara was SC's resident leading female comic, and her sister Robin was employed with the company as her understudy.

In 1976 SC created the sketch comedy show Second City Television, for which O'Hara became a regular performer. During a short period in the early 1980s when SCTV was in between network deals, she was hired to replace Ann Risley as Saturday Night Live was being retooled in 1981. However, she quit the show without appearing on air, choosing to go back to SCTV when the show signed on with NBC. She was long rumoured to have left SNL due to conflicts with volatile writer Michael O'Donoghue, but O'Hara denied these claims and said she had left the show due to her dislike for living in New York City. In this show, she worked and became friends with other regulars, including John Candy, Eugene Levy, Joe Flaherty, Rick Moranis, Harold Ramis, Tony Rosato and Martin Short.

#1980s: "So you were miserable in New York City, and now you're going to be miserable out here in the sticks. At least someone's life hasn't been upheaved."

She did not take full focus to film at first. She only had small appearances in Canadian comedies like Nothing Personal, Deadly Companion and the animated film Rock & Rule.

But the first real "biting" role she got was Gail, a supporting character in Martin Scorsese's After Hours. It didn't make a lot of money, but it was a critical success. At the very least, that small part introduced a few people to her. She slowly rose to a more prominent (but still supporting) role in Mike Nichols' Heartburn, a box office success despite mixed reception.

She concluded the decade with one film, but it was a big break. That was her role as Delia Deetz in Tim Burton's Beetlejuice. This became one of the year's biggest hits, and it's become one of her most iconic roles.

She slowly made her way to Hollywood, but she was definitely getting recognition.

#1990s: Welcome to the Big Leagues

In 1990, she had a role in Alan Alda's Betsy's Wedding. Along with another supporting role in Warren Beatty's adaptation of Dick Tracy, which became her first film to cross $100 million. But the real story was a far bigger role in another film.

After fighting Susan Sarandon, Kirstie Alley, Blythe Danner, Joanna Cassidy and Candice Bergen for the role, O'Hara eventually won the role of Kate McCallister in Home Alone. This film exceeded every possible projection, making almost $500 million worldwide back in 1990, cementing it as the biggest comedy ever. She reprised her role in the sequel, Lost in New York, released in 1992, which was another financial success. This role became one of her most popular, and she even said that her co-star Macaulay Culkin still called her "mom" all the way to the 2020s.

In 1993, she portrayed Sally in the stop-motion film The Nightmare Before Christmas, both in speaking and singing tone. It was a critical and financial hit, and it has spawned a big cult following over the years.

In 1994, she had three films, but neither fully connected with audiences. The Paper earned positive reviews, but it was just a modest success. While Wyatt Earp and A Simple Twist of Fate were banking on the draw appeal of Kevin Costner and Steve Martin, they flopped with critics and audiences.

She began collaborating in films with

Actresses at the Box Office: Catherine O'Hara

https://preview.redd.it/j3m3gzffcgqg1.png?width=1920&format=png&auto=webp&s=e543a696f88aa4c8980215b52c074f88dc4ee4dc

Here's a new edition of "Actresses at the Box Office", which seeks to explore the actiors' trajectory at the box office and analyze their hits and bombs. I already talked about a few, and as I promised, it's Catherine O'Hara's turn.

#**Early Life**

O'Hara started her comedy career in 1974 as a cast member of The Second City in her hometown, Toronto. She originally worked as an understudy and in the Sunday night cast of alternates which performed when the main company had the night off. She was an understudy for Gilda Radner until Radner left for *Saturday Night Live*. By 1976 O'Hara was SC's resident leading female comic, and her sister Robin was employed with the company as her understudy.

In 1976 SC created the sketch comedy show *Second City Television*, for which O'Hara became a regular performer. During a short period in the early 1980s when SCTV was in between network deals, she was hired to replace Ann Risley as *Saturday Night Live* was being retooled in 1981. However, she quit the show without appearing on air, choosing to go back to SCTV when the show signed on with NBC. She was long rumoured to have left *SNL* due to conflicts with volatile writer Michael O'Donoghue, but O'Hara denied these claims and said she had left the show due to her dislike for living in New York City. In this show, she worked and became friends with other regulars, including John Candy, Eugene Levy, Joe Flaherty, Rick Moranis, Harold Ramis, Tony Rosato and Martin Short.

#**1980s: "So you were miserable in New York City, and now you're going to be miserable out here in the sticks. At least someone's life hasn't been upheaved."**

She did not take full focus to film at first. She only had small appearances in Canadian comedies like *Nothing Personal*, *Deadly Companion* and the animated film *Rock & Rule*.

But the first real "biting" role she got was Gail, a supporting character in Martin Scorsese's *After Hours*. It didn't make a lot of money, but it was a critical success. At the very least, that small part introduced a few people to her. She slowly rose to a more prominent (but still supporting) role in Mike Nichols' *Heartburn*, a box office success despite mixed reception.

She concluded the decade with one film, but it was a big break. That was her role as Delia Deetz in Tim Burton's *Beetlejuice*. This became one of the year's biggest hits, and it's become one of her most iconic roles.

She slowly made her way to Hollywood, but she was definitely getting recognition.

#**1990s: Welcome to the Big Leagues**

In 1990, she had a role in Alan Alda's *Betsy's Wedding*. Along with another supporting role in Warren Beatty's adaptation of *Dick Tracy*, which became her first film to cross $100 million. But the real story was a far bigger role in another film.

After fighting Susan Sarandon, Kirstie Alley, Blythe Danner, Joanna Cassidy and Candice Bergen for the role, O'Hara eventually won the role of Kate McCallister in *Home Alone*. This film exceeded every possible projection, making almost $500 million worldwide back in 1990, cementing it as the biggest comedy ever. She reprised her role in the sequel, *Lost in New York*, released in 1992, which was another financial success. This role became one of her most popular, and she even said that her co-star Macaulay Culkin still called her "mom" all the way to the 2020s.

In 1993, she portrayed Sally in the stop-motion film *The Nightmare Before Christmas*, both in speaking and singing tone. It was a critical and financial hit, and it has spawned a big cult following over the years.

In 1994, she had three films, but neither fully connected with audiences. *The Paper* earned positive reviews, but it was just a modest success. While *Wyatt Earp* and *A Simple Twist of Fate* were banking on the draw appeal of Kevin Costner and Steve Martin, they flopped with critics and audiences.

She began collaborating in films with

Christopher Guest, who directed her in many mockumentaries. This started with *Waiting for Guffman*; while not financially successful, it earned very positive reviews. She also took part in some animated films, including *Pippi Longstocking* and *Bartok the Magnificent*.

O'Hara wasn't exactly a lead in a lot of these titles, but she was clearly earning more recognition.

#**2000s: A Few Good Roles**

She reteamed with Christopher Guest on the mockumentary *Best in Show*. It earned critical acclaim, and was a modest success. A similar fate to their following collaboration, *A Mighty Wind*. She also had a part in the comedy *Orange County*, a financial success despite mixed reception.

Of course, not everything went well this decade. A prime example of that was the comedy *Surviving Christmas*, which earned some of the worst reviews of her career and was a huge financial failure.

She had a few voice roles, including *Chicken Little*, *Over the Hedge*, *Monster House*, *Brother Bear 2*, and *Where the Wild Things Are*. Although they all had a varying performance, with only *Over the Hedge* considered a financial success.

From then on, she took supporting roles in more comedies. From time to time, a drama. She had some great performers like *Lemony Snicket's A Series of Unfortunate Events*, but often times, she had quite a few duds. Some of them barely even got a theatrical release.

#**2010s: Moira Fuckin' Rose**

She got off to a very rough start to the decade. She had a few films, including reteaming with Tim Burton on *Frankenweenie*, but they fizzled out and didn't make a lasting impression.

After a few rough years, the only notable success was a supporting voice role in *The Addams Family*. Yeah, this is not exactly a strong decade for her. Surely O'Hara could find something that would be more worthy of her talents?

Well, turns out that was in her heartland.

Dan Levy came up with the idea for a new show while watching reality television, "I had been watching some reality TV at the time and was concentrating on what would happen if one of these wealthy families would lose everything. Would the Kardashians still be the Kardashians without their money?" He turned to his father, the legendary Eugene Levy, to help develop the show, who came up with the series title, *Schitt's Creek*. They based the premise on the story of Kim Basinger's $20 million purchase of the town of Braselton, Georgia, in 1989.

Dan and Eugene were set to star in the show, and O'Hara was their first choice to play Moira Rose, the on-screen wife of Eugenie. She initially turned down Eugene's offer to star, citing "laziness" and an aversion to long-term projects. He reached out to another unnamed actress, but continued to court O'Hara for the role. O'Hara eventually agreed to participate in the presentation pilot with no obligation to continue in the role after *Schitt's Creek* was ordered to series. After the show was picked up by the CBC, O'Hara agreed to continue in the role.

*Schitt's Creek* started slow in ratings and in reviews, but as time went on, it became very popular thanks to streaming. O'Hara earned acclaim for her performance as Moira, with many lauding it as perhaps the best ever character she ever played. For the final season, she won the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series.

This decade, not quite strong in film. But it's the one decade where her most iconic and beloved character came in.

#**2020s: The Final Roles**

After *Schitt's Creek* ended in 2020, O'Hara took small roles in films, with a big emphasis on animated roles. One of those was a supporting role in *Elemental*, which earned $496 million worldwide, becoming her highest grossing film.

2024 was a very busy year for her. She took part in *Argylle*, which... the less said, the better. After so many decades stuck in development hell, she reprised her role as Delia Deetz in *Beetlejuice Beetlejuice*. It over-performed projections and earned over $450 million worldwide. And finally, conclude with a voice role in DreamWorks' *The Wild

Robot*, a critical and financial hit.

In 2025, she starred in the Apple TV+ comedy series, *The Studio*. Around the same point, she also had a recurring role in the second season of *The Last of Us*, playing Gail Lynden. For both shows, she earned Emmy nominations. Later on, she made an appearance in the documentary film *John Candy: I Like Me*. Which would be his last film.

#**The End**

On January 30, 2026, O'Hara had difficulty breathing. She was then hospitalized "in serious condition", and died that day at Saint John's Health Center in Santa Monica, California, at the age of 71. The cause of death was later revealed to be from a pulmonary embolism, with rectal cancer as the underlying cause. She was cremated and her ashes were given to her husband, production designer Bo Welch.

#**HIGHEST GROSSING FILMS**

No. | Movie | Year | Studio | Domestic Total | Overseas Total | Worldwide Total | Budget |
----------|----------|:--------:|----------|:--------:|:--------:|:--------:|:--------:
1 | *Elemental* | 2023 | Disney | $154,426,697 | $342,017,611 | $496,444,308 | $200M
2 | *Home Alone* | 1990 | 20th Century Fox | $285,761,243 | $191,622,399 | $477,383,642 | $18M
3 | *Beetlejucie Beetlejuice* | 2024 | Warner Bros. | $294,100,435 | $157,900,000 | $452,000,435 | $100M
4 | *Home Alone 2: Lost in New York* | 1992 | 20th Century Fox | $173,585,516 | $185,409,334 | $358,994,850 | $28M
5 | *Over the Hedge* | 2006 | Paramount | $155,019,340 | $184,776,550 | $339,795,890 | $80M
6 | *The Wild Robot* | 2024 | Universal | $143,901,945 | $190,598,459 | $334,500,404 | $78M
7 | *Chicken Little* | 2005 | Disney | $135,386,665 | $179,046,172 | $314,432,837 | $150M
8 | *Lemony Snicket's A Series of Unfortunate Events* | 2004 | Paramount / DreamWorks | $118,634,549 | $92,833,686 | $211,468,235 | $140M
9 | *The Addams Family* | 2019 | United Artists Releasing / Universal | $100,723,831 | $103,670,352 | $204,394,183 | $24M
10 | *Dick Tracy* | 1990 | Disney | $103,738,726 | $59,000,000 | $162,738,726 | $46M
11 | *Monster House* | 2006 | Sony | $73,661,010 | $68,200,233 | $141,861,434 | $75M
12 | *The Nightmare Before Christmas* | 1993 | Disney | $94,707,435 | $14,044,691 | $108,777,663 | $18M
13 | *Where the Wild Things Are* | 2009 | Warner Bros. | $77,233,467 | $22,907,449 | $100,140,916 | $100M
14 | *Killers* | 2010 | Lionsgate | $47,059,963 | $51,100,000 | $98,159,963 | $75M
15 | *Argylle* | 2024 | Universal | $45,207,275 | $51,013,786 | $96,221,061 | N/A
16 | *Frankenweenie* | 2012 | Disney | $35,291,068 | $51,641,056 | $86,932,124 | $39M
17 | *Beetlejuice* | 1988 | Warner Bros. | $74,664,632 | $0 | $74,664,632 | $15M
18 | *Wyatt Earp* | 1994 | Warner Bros. | $25,052,000 | $31,000,000 | $56,052,000 | $63M
19 | *Heartburn* | 1987 | Universal | $25,314,189 | $27,300,000 | $52,614,189 | $20M
20 | *The Paper* | 1994 | Universal | $38,824,341 | $9,600,000 | $48,424,341 | N/A
21 | *Orange County* | 2002 | Paramount | $41,076,018 | $2,248,991 | $43,325,009 | $18M
22 | *Penelope* | 2008 | Summit | $10,011,996 | $11,144,274 | $21,156,270 | $15M
23 | *Best in Show* | 2000 | Warner Bros. | $18,715,392 | $2,074,164 | $20,789,556 | $10M
24 | *Betsy's Wedding* | 1990 | Disney | $19,740,070 | $0 | $19,740,070 | N/A
25 | *A Mighty Wind* | 2003 | Warner Bros. | $17,781,006 | $969,240 | $18,750,246 | $6M
26 | *Away We Go* | 2009 | Focus Features | $9,451,946 | $6,327,509 | $15,779,455 | $17M
27 | *Surviving Christmas* | 2004 | DreamWorks | $11,663,156 | $3,462,531 | $15,125,687 | $45M
28 | *Tall Tale* | 1995 | Disney | $8,247,627 | $2,800,000 | $11,047,627 | $32M
29 | *After Hours* | 1985 | Warner Bros. | $10,609,321 | $0 | $10,609,321 | $4.5M
30 | *Home Fries* | 1998 | Warner Bros. | $10,493,366 | $0 | $10,493,366 | $15M
31 | *For Your Consideration* | 2006 | Warner Bros. | $5,549,923 | $375,714 | $5,925,637 | $12M
32 | *A Simple Twist of Fate* | 1994 | Disney | $3,430,583 | $0 | $3,430,583 | N/A
33 | *Waiting for Guffman* | 1997 | Sony Pictures Classics | $2,923,982 | $0 | $2,923,982 | $4M
34 | *Pippi Longstocking* | 1997 | Legacy | $505,335 | $0 |

$505,335 | $10M
35 | *A.C.O.D.* | 2013 | Film Arcade | $175,705 | $0 | $175,705 | N/A
36 | *Game 6* | 2006 | Kindred | $129,664 | $0 | $129,664 | N/A
37 | *Rock & Rule* | 1983 | Metro Goldwyn Mayer | $30,379 | $0 | $30,379 | $8M

She has starred in 50 released films, but only 37 have reported box office numbers. Across those 50 films, she has made $4,415,939,725 worldwide. That's $88,318,794 per film.

#**ADJUSTED DOMESTIC GROSSES**

No. | Movie | Year | Studio | Domestic Total | Adjusted Domestic Total |
----------|----------|:--------:|----------|:--------:|:--------:|
1 | *Home Alone* | 1990 | 20th Century Fox | $285,761,243 | $714,479,631
2 | *Home Alone 2: Lost in New York* | 1992 | 20th Century Fox | $173,585,516 | $404,313,206
3 | *Beetlejucie Beetlejuice* | 2024 | Warner Bros. | $294,100,435 | $306,378,644
4 | *Dick Tracy* | 1990 | Disney | $103,738,726 | $259,374,595
5 | *Over the Hedge* | 2006 | Paramount | $155,019,340 | $251,279,737
6 | *Chicken Little* | 2005 | Disney | $135,386,665 | $226,535,234
7 | *Beetlejuice* | 1988 | Warner Bros. | $74,664,632 | $206,249,211
8 | *Lemony Snicket's A Series of Unfortunate Events* | 2004 | Paramount | $118,634,549 | $205,230,233
9 | *The Nightmare Before Christmas* | 1993 | Disney | $94,707,435 | $173,434,152
10 | *Elemental* | 2023 | Disney | $154,426,697 | $165,618,631
11 | *The Wild Robot* | 2024 | Universal | $143,901,945 | $149,909,614
12 | *The Addams Family* | 2019 | United Artists Releasing | $100,723,831 | $128,746,864
13 | *Monster House* | 2006 | Sony | $73,661,010 | $119,401,354
14 | *Where the Wild Things Are* | 2009 | Warner Bros. | $77,233,467 | $117,642,823
15 | *The Paper* | 1994 | Universal | $38,824,341 | $85,608,719
16 | *Orange County* | 2002 | Paramount | $41,076,018 | $74,613,821
17 | *Heartburn* | 1987 | Universal | $25,314,189 | $72,819,518
18 | *Killers* | 2010 | Lionsgate | $47,059,963 | $70,525,415
19 | *Wyatt Earp* | 1994 | Warner Bros. | $25,052,000 | $55,240,336
20 | *Frankenweenie* | 2012 | Disney | $35,291,068 | $50,230,370
21 | *Betsy's Wedding* | 1990 | Disney | $19,740,070 | $49,355,461
22 | *Argylle* | 2024 | Universal | $45,207,275 | $47,094,604
23 | *Best in Show* | 2000 | Warner Bros. | $18,715,392 | $35,516,314
24 | *After Hours* | 1985 | Warner Bros. | $10,609,321 | $32,220,882
25 | *A Mighty Wind* | 2003 | Warner Bros. | $17,781,006 | $31,579,163
26 | *Home Fries* | 1998 | Warner Bros. | $10,493,366 | $21,037,267
27 | *Surviving Christmas* | 2004 | DreamWorks | $11,663,156 | $20,176,518
28 | *Tall Tale* | 1995 | Disney | $8,247,627 | $17,685,044
29 | *Penelope* | 2008 | Summit | $10,011,996 | $15,196,119
30 | *Away We Go* | 2009 | Focus Features | $9,451,946 | $14,397,302
31 | *For Your Consideration* | 2006 | Warner Bros. | $5,549,923 | $8,996,188
32 | *A Simple Twist of Fate* | 1994 | Disney | $3,430,583 | $7,564,528
33 | *Waiting for Guffman* | 1997 | Sony Pictures Classics | $2,923,982 | $5,953,354
34 | *Pippi Longstocking* | 1997 | Legacy | $505,335 | $1,028,884
35 | *A.C.O.D.* | 2013 | Film Arcade | $175,705 | $246,473
36 | *Game 6* | 2006 | Kindred | $129,664 | $210,179
37 | *Rock & Rule* | 1983 | Metro Goldwyn Mayer | $30,379 | $99,672

#**The Verdict**

O'Hara had a very fascinating life.

She could've joined *Saturday Night Live* and try to raise her profile in America, but she instead chose to stay in Canada to work with her comedy partners. Clearly, she did not need *Saturday Night Live* to succeed. She kept herself busy with a lot of comedies, before finally trying American productions. That's how we get her breakthrough with *Beetlejuice*.

From the 90s onwards, O'Hara established herself as a solid supporting actress. One you can count on, and one who will never disappoint you. Is there anyone else who could've played Mrs. McCallister in the *Home Alone* films? Even if they were, they wouldn't have O'Hara's likeability and charm. Even when you get upset with her character at some points, you still feel sympathy for her.

The quality of films have varied, but she found a lot of gold in her collaborations with

Christopher Guest and Eugene Levy, the latter another Canadian icon. Subsequently, she had her hand in many voice roles. But it might be Moira Rose in *Schitt's Creek*, a TV show instead of a film, her most iconic character. After all, she has some of the funniest lines and moments in the show.

Because I'm sure some will be curious; no, she did not film a single scene for the second season of *The Studio*. And there's no indication that Seth Rogen & Co. will recast her role. And it's understandable. Craig Mazin also said that she was set to return for the third season of *The Last of Us* as well.

Wanna know something strange? Her *Home Alone* co-star John Heard, who plays her on-screen husband, died back in 2017 at the age of 71. O'Hara died back in January at the age of 71. A strange coincidence.

Even though she is no longer with us, O'Hara will live on for so many years to come. She always made sure she could deliver something worth watching and never ever phoned in anything. That's what everyone wants to find in any actress today. And with so many great films that will continue finding new generations in subsequent years. RIP Legend.

Hope you liked this edition. You can find this and more in the [wiki for this section.](https://www.reddit.com/r/boxoffice/wiki/actors-at-the-box-office)

The next actor will be **Humphrey Bogart**. A classic star.

I asked you to choose who else should be in the run, and the comment with the most upvotes would be chosen. Well, we'll later talk about... >!Bruce Lee.!< Get ready to kick some ass.

This is the schedule for the following four:

Week | Actor | Reasoning
:-------:|:--------:|----------
March 28 | Humphrey Bogart | Here's looking at you, kid.
April 4 | Michael Douglas | As good as Kirk?
April 11 | Heath Ledger | Just how different it could've been?
April 18 | Bruce Lee | You're not ready for how big *Enter the Dragon* was.

Who should be next after Lee? That's up to you.

#**REMINDER: If you want to make a suggestion for the next actor, you must make a 150-character comment about the actor we're discussing right now. Failure to do so will result in ignoring the suggestion. If you use a quote from an external source/review to bypass this, your suggestion will be ignored as well. But if you leave a short comment about the post without naming a future write-up, that's fine.**

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