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white_noise_1986-1989.pdf
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White Noise
Issue 1. 1986
Issue 2 1986.
Issue 3. 1987
Issue 4. 1987
Issue 7. 1988
Issue 8. February 1989


This paper will keep Nationalist music fans informed on what is going on in the explosive world of White Power music.
Music, and music papers, these days seem to mirror the society we live in. The papers glorify anybody who is anti-nationalist. It seems to be the height of stardom to be a homosexual, communist drug addict.
The WHITE NOISE CLUB is different. We will be praising those people who are proud to be Nationalists, and wish to keep Europe European.

FOR YEARS Nationalist music fans have been getting a raw deal on the music scene. They have been squeezed between the fat, super rich bosses who own the record companies on the one hand, and the Red, anti-nationalist journalists who dominate the music papers. It is this alliance of Reds and Bosses that has led the music scene to be dominated by groups who are pro-drugs, pro-communist and pro-homosexual. White Noise fans have nothing in common with the likes of Boy George or the poseurs of the Redskins. In the past any band that wanted to state on vinyl that they were proud of their country, and that they were determined to fight for a better way of life were told to get lost. Silence and smears have been directed at patriotic groups the world over for years.
But nationalist music fans have had enough of this treatment! We are no longer prepared to be ignored or attacked. We don't want the junk music produced by the barons of the music establishment! We want music that supports what we believe! That is why a group of concerned nationalist music fans, drawn from several European countries, have joined together to form the WHITE NOISE CLUB. It is a Club that is open to all Europeans - whether you live in Italy, France, Germany, Belgium, Spain, Sweden, Britain, Australia or the USA, we want to hear from you. When we stand together we are powerful enough to get what we want.
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Stormclouds Over Europe
Above the Ruins
Here it stands that bloody wall
Festers like an open sore
Cold eyes and talk of war

Storm clouds over Europe

On the left and on the right
Just silhouettes in their gun sights
Torch lights split night

Storm clouds over Europe

Europe raped by tyranny
One day I dream that we will see
A Europe strong - a Europe free
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Above the Ruins are a group of National Front members and supporters whose music is inspired spiritually by the Italian philsopher and Nationalist Julius Evola, and stylistically by groups like New Order and Joy Division. But what of the music on the album? β€˜Waiting,’ the opening track on side one, has military drums overlaid by a searing bass and a soaring synthesiser. They all come together to create a cascade of sound which complements completely the idealistic lyrics which talk of the coming renaissance of Europe. This theme is continued with the next track, β€˜Storm Clouds Over Europe,’ only this time the voice of Oswald Mosley is overlaid along with the rest of the backing track; Mosley’s voice putting the perfect finishing touches on an atmospherically powerful song. The next track, β€˜Roses,’ has lyrics written by Paul Comben who has written articles and poems for Nationalism Today in the past. Paul also wrote the lyrics to β€˜Progress’ which is the penultimate track on side two. Paul’s poetic prowess shines through on this track with his savage attack on the modern concept of β€˜progress’… However, if β€˜Progress’ attacks multi-racialism, the track which precedes it, β€˜A Hundred Flags,’ pleads for national sovereignty in the wake of Super-Power oppression… Other tracks on this excellent album include β€˜Under Western Skies,’ β€˜Song of the Wolf’ and β€˜Make Us Strong,’ all of which carry the same messages of rebirth and regeneration for the White nations of the world. The whole album draws heavily from the romantic vision of the Pagan North of Old, and musically it is very professional, drawing heavily on the talents of those who comprise Above the Ruins, a band which consists of people wishing to remain anonymous but have enjoyed success in established bands in the past. Quite simply, Songs of the Wolf is an album which no Nationalist, regardless of his personal musical tastes, should be without.

Nationalism Today, no. 27, 1985.
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Forwarded from MEMORIA NATIO
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Nationalists raided an Antifa concert

Welcome to Ukraine! πŸ‡ΊπŸ‡¦

πŸ•ŠοΈ @MemoriaNatio
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Local Ukrainian nationalists attack a Jew during the Lviv pogrom in July 1941. Photo was taken by a Wehrmacht propaganda company.
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β€œFor us the most important thing in Hitlerism is the commandment of a decisive struggle against Marxism. It is important that there is at last a regime in Europe that is dealing with the Bolsheviks in a Bolshevik manner. It is a highly gratifying circumstance which will not remain without repercussions all over the world where the Soviet gangrene has penetrated.”

Dmytro Dontsov, 1933.
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Dmytro Dontsov saw Fascism and National Socialism as:

a new anti-Marxist movement appealing to the spirit that mobilizes the masses, striving for the moral regeneration of the people, stopping at nothing. This spirit has awakened in Italy, it has awakened in Germany, awakens in France, awakens in the Dnieper Ukraine. The movement, which has begun in Italy and now goes on in Germany, will sanitize the spiritual atmosphere of Europe poisoned by Ludwigs, Einsteins, Romain Rollands, Marguerittes, Barbusses, and Gorkys, will create a new public opinion, a new scale of public and personal values which will not tolerate the gangrene of Marxism in its midst.
The echoes of this movement are already resounding in Austria, and we will hear them in Ukraine. Japan in Manchuria and Hitler in Berlin are the iron fists with which the Russian octopus has been seized from the East and the West. The Marxist-Bolshevik attack has been liquidated. The counteroffensive is beginning.
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Hitler and Mussolini met for the last time on July 20, 1944, in the FΓΌhrer Headquarters (Wolf’s Lair) in East Prussia, shortly after Count von Stauffenberg carried out his assassination attempt on Hitler. Hitler greeted his guest at the train with a cry of terror, β€œDuce, they just unleashed a hellish machine on me”. As photos show, the two dictators stood a little later stunned by the debris of the barracks where the assassination attempt had been carried out. In the short conversation that followed, Hitler, not quite ready to keep up with the events, showed himself to be unusually accommodating to some of Mussolini’s wishes. Mussolini did at least manage to improve the status of the original 600,000 so-called β€œcivilian internees”, i.e. the Fascist soldiers captured by the Wehrmacht after September 8, 1943. On leaving, Hitler is to have said goodbye to Mussolini with remarkable sentimentality: β€œI know that I can count on you. I ask you to believe that I consider you my best and only friend in the world”.
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"Suddenly, at a moment when the German Army is engaged in a bitter struggle, a small group emerged in Germany, just as in Italy, in the belief that they could repeat the 1918 stab in the back. But this time they have made a big mistake. The circle of these conspirators is very small and has no connection with the German Wehrmacht, and above all, none with the German people. It is a miniature group of criminal elements who will now be ruthlessly exterminated."

Adolf Hitler, 21 July 1944.
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"We're nationalists. We adopt the positive aspects of both the left and the right. Hitler was the same, he wasn't on the far-right either. He was a National Socialist, from the Third Position, which is what the group of ideologies derived from Italian Fascism is usually called. So having a portrait of Hitler is having a portrait of a Third Position leader, a nationalist leader. It's the same as having a portrait of JosΓ© Antonio or Mussolini."

https://youtu.be/uduJ6hrilDw
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Visions_of_Annihilation_The_Ustasha_Regime_and_the_Cultural_Rory.pdf
2.6 MB
Visions of Annihilation: The Ustasha Regime and the Cultural Politics of Fascism, 1941–1945
Rory Yeomans

In Visions of Annihilation, Rory Yeomans analyzes the Ustasha movement’s use of culture to appeal to radical nationalist sentiments and legitimize its national revolutionary policies. He shows how the movement attempted to mobilize poets, novelists, filmmakers, visual artists, and intellectuals as purveyors of propaganda and visionaries of a utopian society. Meanwhile, newspapers, radio, and speeches called for the expulsion, persecution, or elimination of β€œalien” and β€œenemy” populations to purify the nation. He describes how the dual concepts of annihilation and national regeneration were disseminated to the wider population and how they were interpreted at the grassroots level.

Yeomans examines the Ustasha movement in the context of other fascist movements in Europe. He cites their similar appeals to idealistic youth, the economically disenfranchised, racial purists, social radicals, and Catholic clericalists. Yeomans further demonstrates how fascism created rituals and practices that mimicked traditional religious faiths and celebrated martyrdom.

Visions of Annihilation chronicles the foundations of the Ustasha movement, its key actors and ideologies, and reveals the unique cultural, historical, and political conditions present in interwar Croatia that led to the rise of fascism and contributed to the European revolution that spread across the continent.
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Young German girls adorn the FΓΌhrer's bust with flowers out of spontaneous gratitude.

The vile assassination attempt has aroused disgust and indignation throughout Europe
The danger overcome has given the German people and their allies increased strength and will to fight until victory is won.
The small clique of generals who dared to commit treason against the FΓΌhrer was quickly neutralized and has perished before avenging justice.

Nationen, 22 July 1944

Telegram from Minister President Quisling to the FΓΌhrer.
Minister President Vidkun Quisling sent him the following telegram on Saturday, 22 July, on the occasion of the cowardly assassination attempt on the FΓΌhrer:
Receive, FΓΌhrer, my warmest congratulations and the expression of my greatest joy that you were saved in such a wonderful way from the cowardly attempt on your life. The thought of the terrible consequences if this irresponsible act had succeeded must make all far-sighted Europeans unite even more strongly in your person and your historic task. May this misdeed also contribute to furthering the fight for our just and good cause.
In faithful solidarity
VIDKUN QUISLING.

Indre Smaalenenes Avis, 24. juli 1944
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Swines, blue-blooded swine, fools and idiots, criminals and murderers, reactionaries, that is what they are. Here you see reaction and Bolshevism arm in arm, Stalin and German counts, all pals. How well the FΓΌhrer treated them! He gave them everything they had a right to ask for. He gave them back their uniforms. He gave Germany and them the might and splendour and they thanked him with bombs, murder and ingratitude. They are traitors and cowardly dogs with international connections. His [Stauffenberg’s] wife is Polish born. His sister-in-law is a Russian Bolshevist. This scum must be eliminated, exterminated root and branch. It is not sufficient just to seize the culprits and bring them ruthlessly to account – the whole brood must be wiped out. This goes above all for the traitors in Moscow, London and New York. Every German must be made aware that if he sets himself up against Germany at war, in print or by the spoken word, or incites treason by his act, then he and his family must die ... whoever betrays us will be exterminated.

Robert Ley, 22 July 1944.
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𝑬𝒖𝒓𝒐𝒑𝒆𝒂𝒏 π‘Ίπ’π’„π’Šπ’‚π’π’Šπ’”π’Ž
Visions_of_Annihilation_The_Ustasha_Regime_and_the_Cultural_Rory.pdf
From the perspective of young nationalist artists, poets, and novelists struggling to be published in cultural journals; radical students battling against an oppressive Yugoslav state; Catholic intellectuals watching with dismay as their nation collapsed into the mire of secularism and degeneracy; and workers’ unions and syndicates battling against the inequity of the β€œJewish” capitalist system, the Ustasha regime could look very different. The tenth of April 1941 represented liberation not just from the β€œprison” of Yugoslavia in which the Croatian nation had been incarcerated, but from its liberal democratic capitalist ideals too. National revolution would be joined by cultural revolution.

R. Yeomans, Visions of Annihilation
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On July 23, 1970, David Duke paraded around the Tulane campus in National Socialist uniform to protest a speech by William Kunstler. Duke held up a picket sign. One side read "Kunstler is a Communist Jew." The other: "Gas the Chicago 7."
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β€œRacial idealism, or racialism, is the idea that a nation’s greatest resource is the quality of its people. It means examining all questions of government on the basis of whether the proposed measure is good or bad for our race. … Neither Communism, Capitalism, nor any other materialistic doctrine can save our race; our only racial salvation lies in a White racial alliance uniting our people with the common cause of racial idealism.”

David Duke, The Racialist, 1970.
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β€œDegenerate to their very bones, blue-blooded to the point of idiocy, nauseatingly corrupt, and cowardly like all nasty creaturesβ€”such is the aristocratic clique which the Jew has sicced on National Socialism.”

Robert Ley, Der Angriff, 23 July 1944
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