Man cannot escape from his own achievement. He cannot but adopt the conditions of his own life. No longer in a merely physical universe, man lives in a symbolic universe. Language, myth, art, and religion are parts of this universe. They are the varied threads which weave the symbolic net, the tangled web of human experience. All human progress in thought and experience refines upon and strengthens this net. No longer can man confront reality immediately; he cannot see it, as it were, face to face. Physical reality seems to recede in proportion as manβs symbolic activity advances. Instead of dealing with the things themselves man is in a sense constantly conversing with himself. He has so enveloped himself in linguistic forms, in artistic images, in mythical symbols or religious rites that he cannot see or know anything except by the interposition of this artificial medium. His situation is the same in the theoretical as in the practical sphere. Even here man does not live in a world of hard facts, or according to his immediate needs and desires. He lives rather in the midst of imaginary emotions, in hopes and fears, in illusions and disillusions, in his fantasies and dreams. βWhat disturbs and alarms man,β said Epictetus, βare not the things, but his opinions and fancies about the things.β
Ernst Cassirer, An Essay on Man: An Introduction to a Philosophy of Human Culture
Ernst Cassirer, An Essay on Man: An Introduction to a Philosophy of Human Culture
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We have lost all sense of living normally, simply, directly. To get back to that normality, that simplicity, that directness, you cannot follow methods, you cannot merely become automatic machines; and I am afraid most of us are seeking methods because we think that through them we shall realize fullness, stability, and permanency. To me methods lead to slow stagnation and decay and they have nothing to do with real spirituality, which is, after all, the summation of intelligence.
Jiddu Krishnamurti, Total Freedom
Jiddu Krishnamurti, Total Freedom
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Las mujeres panteras | 1967 | dir. RenΓ© Cardona
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Bernard de Montfaucon, Antiquity explained and represented in sculptures, 1722
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