У юноши на куртке надпись the great outdoors. Спекулятивные реалисты начали выпускать мерч?
Смотрела вчера перфоманс группы Plastique Fantastique - это художественное объединение, в котором в числе прочего участвует глава кафедры Визуальных Культур Голдсмита. И это было великолепно: ассамбляжи, маски, глиттер на лицах, день рождения собаки, торт с лицом Илона Маска, делезианский поп-рок с припевом This machine has no master
Сайт их изучаю вот сейчас https://www.plastiquefantastique.org/performances.html
Сайт их изучаю вот сейчас https://www.plastiquefantastique.org/performances.html
Вообще прикол этого всего в том, что это как раз performing theory. Те концепты делезианского не-субъекта искусства, не-искусства и fictioning которые разрабатывает О' Салливан воплощаются в том числе в практиках Plastique Fantastique
Еще была хорошая interspieces disco от объединения 0(rphan)d(rift>) https://www.orphandriftarchive.com/ тоже вот изучаю их сайт
0rphan Drift Archive
0(rphan)d(rift>) Archive - 0rphan Drift Archive
0rphan Drift has explored the boundaries of machine and human vision, since its inception in London in 1994. The collective as avatar has taken diverse forms through the course of its career, sometimes changing personnel and artistic strategies in accordance…
Ко многим дискуссиям последнего времени оттуда же:
Being girl is a way of being taught what it
is to have a body: you are being told; you will receive my advances; you are
object; thing, nothing. To become girl is to learn to expect such advances, to
modify your behavior in accordance; to become girl as becoming wary of being
in public space; becoming wary o f being at all. Indeed, if you do not modify
your behavior in accordance, if you are not careful and cautious, you can
be made responsible for the violence directed toward you (look at what you
were drinking, look at what you wearing, look at where you were, look look).
Being girl is a way of being taught what it
is to have a body: you are being told; you will receive my advances; you are
object; thing, nothing. To become girl is to learn to expect such advances, to
modify your behavior in accordance; to become girl as becoming wary of being
in public space; becoming wary o f being at all. Indeed, if you do not modify
your behavior in accordance, if you are not careful and cautious, you can
be made responsible for the violence directed toward you (look at what you
were drinking, look at what you wearing, look at where you were, look look).
И еще:
Finding feminism can be empowering as it is a way of reinhabiting the past.
It is personal. There is no question: it is personal. The personal is structural. I
learned that you can be hit by a structure; you can be bruised by a structure.
An individual man who violates you is given permission: that is structure. His violence is justified as natural and inevitable: that is structure. A girl is made responsible for his violence: that is structure. A policeman who turns away because it is a domestic call: that is structure. A judge who talks about what
she was wearing: that is structure. A structure is an arrangement, an order, a building; an assembly.
Finding feminism can be empowering as it is a way of reinhabiting the past.
It is personal. There is no question: it is personal. The personal is structural. I
learned that you can be hit by a structure; you can be bruised by a structure.
An individual man who violates you is given permission: that is structure. His violence is justified as natural and inevitable: that is structure. A girl is made responsible for his violence: that is structure. A policeman who turns away because it is a domestic call: that is structure. A judge who talks about what
she was wearing: that is structure. A structure is an arrangement, an order, a building; an assembly.
Student of anthropology Elizabeth Reddy has coined the expression “charismatic mega-category” to describe the temporality and spatiality produced by the notion of the Anthropocene
A history of the racialized Capitalocene à la Cedric Robinson will help us understand that climate change is not about human hubris, but the result of the long history of colonialism and racial capitalism and its Promethean thinking — the idea that “Man” can invent a mechanical, technical solution to any problem.
https://www.versobooks.com/blogs/3376-racial-capitalocene
https://www.versobooks.com/blogs/3376-racial-capitalocene
Verso
Racial Capitalocene
Futures of Black Radicalism, edited by Gaye Theresa Johnson and Alex Lubin, brings together 17 essays on the development of the black radical tradition, all informed by both the groundbreaking work of Cedric J. Robinson and the contemporary flourishing of…
Forwarded from Оскорбление Результатов
Поэзия это когда проблемы одного слова облегчают боль соседнего ///
Disasters are now the disasters of the media
landscape — the space in which humans nowprimarily live,
and one which is both shaped by, and manufactured from,
their desires and drives. Once again, though, we must qualify
this claim with the further observation that human beings
are not the “owners” of desires and drives — they don’t
“have” them. Rather, human beings are the playing out of
these impulses, instruments through which trauma is
registered.
landscape — the space in which humans nowprimarily live,
and one which is both shaped by, and manufactured from,
their desires and drives. Once again, though, we must qualify
this claim with the further observation that human beings
are not the “owners” of desires and drives — they don’t
“have” them. Rather, human beings are the playing out of
these impulses, instruments through which trauma is
registered.