Halls of the Hyperboreads
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In this Atlantean Academy you will find the gymnasium of the heroes, the library of the philosophers, and the temple of the druids
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Forwarded from The way of the warrior
When your strategy is deep and far-reaching, then what you gain by your calculations is much, so you can win before you even fight.

When your strategic thinking is shallow and nearsighted, then what you gain by your calculations is little, so you lose before you do battle.

Much strategy prevails over little strategy, so those with no strategy cannot but be defeated. ๐˜›๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ๐˜ง๐˜ฐ๐˜ณ๐˜ฆ ๐˜ช๐˜ต ๐˜ช๐˜ด ๐˜ด๐˜ข๐˜ช๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ท๐˜ช๐˜ค๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜ธ๐˜ข๐˜ณ๐˜ณ๐˜ช๐˜ฐ๐˜ณ๐˜ด ๐˜ธ๐˜ช๐˜ฏ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜จ๐˜ฐ ๐˜ต๐˜ฐ ๐˜ธ๐˜ข๐˜ณ, ๐˜ธ๐˜ฉ๐˜ช๐˜ญ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ง๐˜ฆ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ธ๐˜ข๐˜ณ๐˜ณ๐˜ช๐˜ฐ๐˜ณ๐˜ด ๐˜จ๐˜ฐ ๐˜ต๐˜ฐ ๐˜ธ๐˜ข๐˜ณ ๐˜ง๐˜ช๐˜ณ๐˜ด๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฌ ๐˜ต๐˜ฐ ๐˜ธ๐˜ช๐˜ฏ.

~ Zhang Yu
Forwarded from Modern Kshatriya
He who knows is others is clever;
He who knows himself has discernment;
He who overcomes others has force;
He who overcomes himself is strong;
He who knows contentment is rich;
He who perseveres is a man of purpose;
He who does not lose his station will endure;
He who lives out his days has had a long life.

Tao Te Ching XXXIII
The most important thing is not life, but the good life.

Plato, Crito 48b
Forwarded from Orphic Inscendence (Naida)
"Le Berger Pรขris", Jean-Baptiste Frรฉdรฉric Desmarais (1756โ€“1813), a French painter of the Neoclassical period, who after 1786 was active in Italy, rising to be a professor of the Academies of Fine Arts of Lucca and Massa Carrara.
Forwarded from Ghost of de Maistre
"The poem of Dante is not allegorical in the sense that its figures merely mean something different without existing independently of such meaning in and for themselves. On the other hand, none of them is independent of that meaning such that it simultaneously would be the idea itself and more than merely an allegory of it. His poem thus contains a totally unique medium between allegory and symbolic-objective configuration. There is no doubt, and the poet explains it himself elsewhere, that Beatrice, for example, is an allegory, namely, of theology. The same holds true of her companions and many other characters. Yet they also count for something by themselves and enter as historical characters without for that reason being symbols."

- ๐‘ญ๐’“๐’Š๐’†๐’…๐’“๐’Š๐’„๐’‰ ๐‘บ๐’„๐’‰๐’†๐’๐’๐’Š๐’๐’ˆ, "๐‘ป๐’‰๐’† ๐‘ท๐’‰๐’Š๐’๐’๐’”๐’๐’‘๐’‰๐’š ๐’๐’‡ ๐‘จ๐’“๐’•"
Forwarded from Ghost of de Maistre
"Lewisโ€™s view of the relationship of mythology to Christianity is in broad outlines identical to Schellingโ€™s. Lewis argues that primitive religions gave mythic expression to the primordial yearning in human consciousness for an intimate personal contact with the transcendent God, an encounter which would restore the fallen worldโ€™s lost immediacy with the divine. Rather than one myth among others, Christianity fulfils the mythological impulse in history; it is โ€œmyth become factโ€ (Lewis, 1970: 63โ€“68)."

- - ๐‘ป๐’‰๐’† ๐‘ซ๐’‚๐’“๐’Œ ๐‘ฎ๐’“๐’๐’–๐’๐’… ๐’๐’‡ ๐‘บ๐’‘๐’Š๐’“๐’Š๐’•, ๐‘บ๐’„๐’‰๐’†๐’๐’๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐‘ผ๐’๐’„๐’๐’๐’”๐’„๐’Š๐’๐’–๐’”, ๐’ƒ๐’š ๐‘บ๐’†๐’‚๐’ ๐‘ฑ. ๐‘ด๐’„๐‘ฎ๐’“๐’‚๐’•๐’‰
Forwarded from The Elders of the Black Sun
โ€œShame on life here in this world! It is better for me to die in battle than to live defeated.โ€

Buddha Shakyamuni, Padhana Sutta
๐Ÿ’ฉ3๐Ÿ‘2๐Ÿ˜1
"Those who have reason have freedom to will or not to will, although this freedom is not equal in all of them. Celestial and divine beings have clearer judgements, an uncorrupted will, and the ability to achieve what they seek. Human souls are more free when they persevere in the contemplation of the mind of God, less free when they descend to the corporeal, and even less free when they are entirely imprisoned in earthly flesh and blood. Their ultimate enslavement is when they give themselves up to vice and no longer exercise their powers of reason. They have lowered their eyes from the highest truth to dark, base things and are wrapped in a cloud of ignorance. They give in to destructive whims and consent to things that strengthen their bonds of slavery. They have brought this upon themselves and are captives of the exercise of their innate freedom. But still, providence looks after them from eternity, sees what they do, and disposes rewards and punishments according to what each person deserves.โ€

~Boethius
Forwarded from The Apollonian
Apollo, Glorious golden haired Lord of the Sun who brings light and healing upon the Earth, tending to your herd with gentle hands and open arms.

The same hands that string an opaline bow with unrivaled skill and let loose a hundred gleaming arrows with ease, piercing the hearts of arrogant and wicked and setting them aflame with the heat of passionate righteousness.

The same hands that weave bandages like tapestries upon the flesh of the wounded, warding off pestilence and decay.

The same arms that embrace those who hold you within their heart, protecting and cradling them like a newborn babe, their devotion to you never going unheard or unanswered.
โค3
"More recently, the surprising parallel that has been established between some plastic investigations and a number of scientific discoveries, for examยญple, of microscopic phenomena. This is an indication, if not a proof, of the unity of knowledge as well as its universality. Each truly original and thus unusual production in the domain of graphic or pictorial creation can put forward the case for its unforeseen but undeniable resemblance with some document brought to light by fundamental research and receive some type of validation from it. Kandinsky was thus overwhelmed by becoming aware of Bohr's theories about the atom. He saw in them a dissolution of objective reality or at least a deconstruction of what was taken to be the nature of things until then. He thereby found a powerful motif that gave full develยญopment to some of his intuitions. This resulted in what would come to be called 'abstract painting.'"

- Michel Henry, Barbarism

Image: Wassily Kandinsky, In Grey (1919)