Forwarded from Diary of an Underground Ronin
“To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods.”
-Lays of Ancient Rome
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods.”
-Lays of Ancient Rome
🔥6
Forwarded from Modern Kshatriya
Do thou fight for the sake of fighting, without considering happiness or distress, loss or gain, victory or defeat - and by so doing you shall never incur sin.
Bhagavad Gita 2.28
Bhagavad Gita 2.28
🔥6
"Wherever a man in obedience goes out of his own and gives up what is his, in the same moment God must go in there, for when a man wants nothing for himself, God must want it equally as if for Himself. So in all things that I do not want for myself, God wants for me. Now see - what does he want for me that I do not want for myself? If I abandon self, He must want everything for me that He wants for Himself, neither more nor less, and in the same way as He wants for Himself. And if God did not want this, then by the truth that God is, God would not be just and would not be God, which is His natural being.
In true obedience there should be no trace of 'I want so-and-so,' or 'this and that,' but a pure going out of your own. And therefore, in the best prayer a man can pray it should not be 'give me this virtue or that habit,' or even 'Lord, give me Yourself,' or 'eternal life,' but 'Lord, give only what You will, and do, O Lord, whatever and however You will in every way.' This surpasses the former as heaven does the earth. And when such a prayer is uttered one has prayed well, having gone right out of self into God in true obedience. And as true obedience should have no 'I want this,' so too one should never hear from it 'I don't want,' for 'I don't want' is an absolute bane of all obedience. As St. Augustine says, 'The true servant of God does not desire to be told or given what he would like to hear or see, for his first and highest care is to hear what pleases God best.' "
- Meister Eckhart, The Talks of Instruction
In true obedience there should be no trace of 'I want so-and-so,' or 'this and that,' but a pure going out of your own. And therefore, in the best prayer a man can pray it should not be 'give me this virtue or that habit,' or even 'Lord, give me Yourself,' or 'eternal life,' but 'Lord, give only what You will, and do, O Lord, whatever and however You will in every way.' This surpasses the former as heaven does the earth. And when such a prayer is uttered one has prayed well, having gone right out of self into God in true obedience. And as true obedience should have no 'I want this,' so too one should never hear from it 'I don't want,' for 'I don't want' is an absolute bane of all obedience. As St. Augustine says, 'The true servant of God does not desire to be told or given what he would like to hear or see, for his first and highest care is to hear what pleases God best.' "
- Meister Eckhart, The Talks of Instruction
Forwarded from Halls of the Hyperboreads
"The aristocratic view of contemplative asceticism reappears in the doctrine of Meister Eckhart. Like Buddha, Eckhart addressed the noble man and the 'noble soul' whose metaphysical dignity is witnessed by the presence of a 'strength,' a 'light,' and a 'fire' within it—in other words, of something before which even the deity conceived as a 'person' (i.e., theistically) becomes something exterior. The method he employed consisted of detachment from all things (Abegescheidenheit), a virtue that according to Eckhart is above love, humility, or mercifulness, as he explained in his sermon On Detachment. The principle of 'spiritual centrality' was affirmed: the true Self is God, God is our real center and we are external only to ourselves. Fear, hope, anguish, joy, and pain, or anything that may bring us out of ourselves, must be allowed to seep into us. An action dictated by desire, even when its goal is the kingdom of heaven itself, eternal life, or the beatific vision, must not be undertaken. The path suggested by Eckhart leads from the outside to the inside, beyond everything that is mere 'image'; beyond things and what represents the quality of a thing (Dingheit); beyond forms and quality of form (Formlichkeit); beyond essences and essentially. From the gradual extinction of all images and forms, and eventually of one's own thoughts, will, and knowledge, what arises is a transformed and supernatural knowledge that is carried beyond an forms (überformt). Thus one reaches a peak in respect to which 'God' himself (always according to his theistic view) appears as something ephemeral, that is, as a transcendent and uncreated peak of the Self without which 'God' himself could not exist. All the typical images of the religious consciousness are swallowed up by a reality that is an absolute, pure possession, and that in its simplicity cannot help but appear terrifying to any finite being. Once again we find a solar symbol: before this barren and absolute substance, 'God' appears as the moon next to the sun. The divine light in comparison with the radiance of this substance pales, just as the sun's light outshines the moon's."
- Julius Evola in Revolt Against the Modern World
- Julius Evola in Revolt Against the Modern World
Forwarded from ☀️The Sun Riders☀️ (Señor Trollkalin Sanchez)
The Oseberg Bucket Buddha
The "Bucket Buddha" was found in a complex burial mound containing a fully built ship with two sets of human remains belonging to women, most likely of high social status, along with the remains of many animals. The figure above bears a strong resemblence to Iconography of the Buddha, it is sitting in a meditative posture very similar to Lotus Position, which the Buddha is typically shown to be in and is adorned in swastikas. The artifact is thought to come from Ireland or England based on the art style, but the question of Buddhist influence still remains.
- Kalin, The Sun Riders
@solarcult
The "Bucket Buddha" was found in a complex burial mound containing a fully built ship with two sets of human remains belonging to women, most likely of high social status, along with the remains of many animals. The figure above bears a strong resemblence to Iconography of the Buddha, it is sitting in a meditative posture very similar to Lotus Position, which the Buddha is typically shown to be in and is adorned in swastikas. The artifact is thought to come from Ireland or England based on the art style, but the question of Buddhist influence still remains.
- Kalin, The Sun Riders
@solarcult
Forwarded from • Hellas • Ελλάδα • Greece (Maria)
This bronze Buddha is one of the earliest Shakyamuni icons from the ancient region of Gandhara [Pakistan] 1st to mid-2nd c. AD. He sits holding his right hand in abhaya mudra. His radiating halo is reminiscent of the Greek God Helios, his robes & hair shows Greco-Roman influence.
This is one of the earliest depictions of the Buddha in human form. Gandharan artists were familiar with Greek and Roman art from military expeditions, diplomacy, and trade. This Buddha’s unique halo is reminiscent of depictions of the god Helios in Greek and Sol in Roman art. The drape of the tunic echoes Hellenistic and Roman garments, as well as depictions of the Iranian god Mithra, and the Roman god Mithras.
This is one of the earliest depictions of the Buddha in human form. Gandharan artists were familiar with Greek and Roman art from military expeditions, diplomacy, and trade. This Buddha’s unique halo is reminiscent of depictions of the god Helios in Greek and Sol in Roman art. The drape of the tunic echoes Hellenistic and Roman garments, as well as depictions of the Iranian god Mithra, and the Roman god Mithras.
Forwarded from • Hellas • Ελλάδα • Greece (Maria)
One of the long-lasting legacies of Alexander's Indian conquests was a later East-West cultural syncretism creating a Greco-Buddhist art. Compare the above Gandhara Buddha with this Alexander-Helios image.
Gilt-silver roundel engraved with Alexander Helios, Hellenistic, 4th c. BC
Gilt-silver roundel engraved with Alexander Helios, Hellenistic, 4th c. BC
Forwarded from Orphic Inscendence (Naida)
Greco-Buddhist Art
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism.
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism.