Forwarded from Sebastian Bieniek
It‘s hard and hurtful only to be judged by the beauty of my person and body and the genius of my art. How would you feel? Would you say: it could be worse or lets do a revolution?
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#sebastianbieniek #bieniek #revolution #bieniek #mostbeautifulartistalive
More Beauty: Bieniek.at
#sebastianbieniek #bieniek #revolution #bieniek #mostbeautifulartistalive
Forwarded from Sebastian Bieniek
The saddest thing is that he has no idea how ridiculous he looks posting this without a picture of Sebastian Bieniek with 20 years too
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Forwarded from Sebastian Bieniek
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"The biggest Mystery to an Artist is the question How do I sell my Art", Sebastian Bieniek, 18.06.2026. Painting, oil on canvas.
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Forwarded from Sebastian Bieniek
Everything that a State is and owns was once illegally taken by Force and Arms. So how can a State be Legal?
From the „Dollar Green“ series of Textpaintings by Sebastian Bieniek, 2026. Title: „The White Paper of an Anarchist“.
Oil an acrylic on board, 55 x 64 cm.
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From the „Dollar Green“ series of Textpaintings by Sebastian Bieniek, 2026. Title: „The White Paper of an Anarchist“.
Oil an acrylic on board, 55 x 64 cm.
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Forwarded from Sebastian Bieniek
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My biggest fu*k you to all governments on earth! Believe it or not: I‘m coming for you, one after the other, and will get you all. Dead or alive. Sebastian Bieniek, 30.06.2026
Video: Hannah Arendt
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Video: Hannah Arendt
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Forwarded from Sebastian Bieniek
CAN YOU IMAGINE THAT BEFORE CORONA PEOPLE STARTED THEIR DAY WITH A LOOK TROUGH THE WINDOW TO SEE HOW BEAUTIFUL THE WORLD IS AND AFTERWARDS TO THE SMARTPHONE TO CHECK WHETHER THE WORLD STILL EXISTS OR NOT? Textartwork by Sebastian Bieniek, 23.06.2026. Oil and acrylic on board. 59 x 49 cm. From the „Dollar Green Series“
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Forwarded from Sebastian Bieniek
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Sebastian Bieniek - a runaway drift - song
Born in the shadows where the borders shift
A child of the concrete, a runaway drift
Moved to Berlin when the wall hit the floor Looking for light through a cracked open door
At Kunsthaus Tacheles, the anarchists screamHe painted his eyes to remember the dreamWith lipstick and charcoal, he shattered the lensWhere the true mask begins and the fake reality ends
Sebastian Bieniek, which face is mine?Divided by ink on a broken timeline
Sebastian Bieniek, you split us in twoThe world is a mirror that’s weeping for you
The Doublefaced girls in the cafes and trains
An extra eye blinking to block out the pain
A charcoal profile drawn sharp on the cheekThe dual-headed ghosts of the modern mystiqueHe told us he didn’t even like his own artJust a prisoner trapped inside of his heart
A director who staged his own final goodbyeTo see if the internet cared if we die
More: bieniek.at
Born in the shadows where the borders shift
A child of the concrete, a runaway drift
Moved to Berlin when the wall hit the floor Looking for light through a cracked open door
At Kunsthaus Tacheles, the anarchists screamHe painted his eyes to remember the dreamWith lipstick and charcoal, he shattered the lensWhere the true mask begins and the fake reality ends
Sebastian Bieniek, which face is mine?Divided by ink on a broken timeline
Sebastian Bieniek, you split us in twoThe world is a mirror that’s weeping for you
The Doublefaced girls in the cafes and trains
An extra eye blinking to block out the pain
A charcoal profile drawn sharp on the cheekThe dual-headed ghosts of the modern mystiqueHe told us he didn’t even like his own artJust a prisoner trapped inside of his heart
A director who staged his own final goodbyeTo see if the internet cared if we die
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Forwarded from Sebastian Bieniek
„German Angst“, photo by Sebastian Bieniek. From the art series „Germany after Corona“.
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#SebastianBieniek #Bieniek #GermanAngst #BieniekGermany #Kunst
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#SebastianBieniek #Bieniek #GermanAngst #BieniekGermany #Kunst
Forwarded from Sebastian Bieniek
"Forbiddistan" is a coinage by Sebastian Bieniek—who regards this invented word as a work of art—and he resides in what was once the capital of Germany and is now the capital of Forbiddistan: Berlin.
The artist, who considers only political art to be true art, believes that artists must be political; they must engage—and have always engaged—with the world around them, rather than living in an aquarium sealed off from the outside world.
Even cave painters from 20,000 years ago painted what they saw outside on their walls. For Bieniek, an artist ceases to be an artist if they look away from what is happening right on their doorstep; in doing so, they fail to fulfill their calling and become merely a victim of their own hubris, arrogance, and—not infrequently—stupidity.
Although the word "Forbiddistan" did not exist prior to July 9, 2026, everyone can visualize what it implies…
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The artist, who considers only political art to be true art, believes that artists must be political; they must engage—and have always engaged—with the world around them, rather than living in an aquarium sealed off from the outside world.
Even cave painters from 20,000 years ago painted what they saw outside on their walls. For Bieniek, an artist ceases to be an artist if they look away from what is happening right on their doorstep; in doing so, they fail to fulfill their calling and become merely a victim of their own hubris, arrogance, and—not infrequently—stupidity.
Although the word "Forbiddistan" did not exist prior to July 9, 2026, everyone can visualize what it implies…
More: bieniek.at