Excerpt from the audiobook 'The Conquest of the World by the Jews'

"The Jew recognises no armistice and keeps up the battle with no intermission"

This is as true today as it was when this book was written in 1873. The nature of the jew is timeless.

✅Click here to listen to the full audio file🎧

It's interesting to think about the fact that Americans made two stories into modern films by British directors—"The Odyssey" by Christopher Nolan, and "Napoleon" by Ridley Scott—that were both done infinitely better by Soviet Russian directors.

Not only was the American-made 1997 "Odyssey" written and directed by a Russian, Andrei Konchalovsky, whose entire background was in Soviet cinema, but also Sergei Bondarchuk wrote and directed the massive "War and Peace" series from 1965-67, which is the definitive version of the Napoleonic Wars ever put to film, at the peak of the Cold War.

Ridley Scott at least made some great films early in his career, I've always hated Nolan and all his films, but there is something so disgusting and repulsive about these liberal British filmmakers in their approach to epic storytelling. You can just see why Russia is still a great power today, full of pride and honor, while Britain has been reduced to an island of thoroughly cucked yet smug thought police. In these two cases at least, the Russians not only understand honor, glory, tragedy infinitely better—but also love, passion, sensitivity, men, women etc. They have HEART and they understand drama better.

For Britain, the land of Shakespeare, to lose its ability to make drama shows the deep cancerous sickness eating away at the heart of the West. Whatever one may say about Russians or Slavs, there is a vitality there that is utterly missing in the Anglo storytellers. It's like the Russian understands greatness as well as passion and tradegy and loss, meanwhile the Brit is letting his wife get fucked by an ape and is morally lecturing you on why he's superior to you for letting it happen. And everyone just pretends this is normal and not a huge, urgent sign that there is something terribly wrong.

Hitler and Mussolini met for the last time on July 20, 1944, in the Führer Headquarters (Wolf’s Lair) in East Prussia, shortly after Count von Stauffenberg carried out his assassination attempt on Hitler. Hitler greeted his guest at the train with a cry of terror, “Duce, they just unleashed a hellish machine on me”. As photos show, the two dictators stood a little later stunned by the debris of the barracks where the assassination attempt had been carried out. In the short conversation that followed, Hitler, not quite ready to keep up with the events, showed himself to be unusually accommodating to some of Mussolini’s wishes. Mussolini did at least manage to improve the status of the original 600,000 so-called “civilian internees”, i.e. the Fascist soldiers captured by the Wehrmacht after September 8, 1943. On leaving, Hitler is to have said goodbye to Mussolini with remarkable sentimentality: “I know that I can count on you. I ask you to believe that I consider you my best and only friend in the world”.

"We're nationalists. We adopt the positive aspects of both the left and the right. Hitler was the same, he wasn't on the far-right either. He was a National Socialist, from the Third Position, which is what the group of ideologies derived from Italian Fascism is usually called. So having a portrait of Hitler is having a portrait of a Third Position leader, a nationalist leader. It's the same as having a portrait of José Antonio or Mussolini."

https://youtu.be/uduJ6hrilDw

A new article is coming on Los Novios de la Muerte: Bolivia’s King of Cocaine

On July 23, 1970, David Duke paraded around the Tulane campus in National Socialist uniform to protest a speech by William Kunstler. Duke held up a picket sign. One side read "Kunstler is a Communist Jew." The other: "Gas the Chicago 7."