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"The Triumph of the Will—The Challenge," ca. 1877

Jacques-Joseph (James) Tissot

The painting was created to decorate the artist’s study in his home on Gloucester Place in London. “Will” is represented by the noble figure of a woman in armor, standing with a drawn sword over a sprawled creature—a hybrid of a beautiful young woman and a supple, fearsome leopard. According to the artist’s conception, this is an allegory of victory over carnal temptation: pythons and vipers personify human vices and passions, while the surrounding figures—Courage and Silence—help Will prevail over lust.
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"The Sensual Ones," 1889

Victor Pouget

It illustrates the second canto of "Hell" from Dante's "Divine Comedy": the poet observes how a hellish whirlwind punishes sinners who have succumbed to carnal sin.
“Anyone wishing to conquer a people could do it by using this system: breaking its ties with heaven and land, introducing fratricidal quarrels and fights, promoting immorality and licentiousness, by material ruin, physical poisoning, drunkenness. All these destroy a nation more than being blasted by thousands of cannon or bombed by thousands of airplanes.”

~Corneliu Zelea Codreanu
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“Kotopahi,” 1862

Frederick Edwin Church
(1826–1900)
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Giovanni Lanfranco, David Dragging The Head of Goliath
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Forwarded from Shit posting from the front lines (John Doe)
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